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KOOLAID:
A PTS CUSTOMER SUCCESS STORY
Anybody who thinks KoolAid costumes are easier to sew than MRI straps, rocket-booster supports, and low-earth-orbit camera calibration systems obviously hasn't thought the problem through. "The toughest part was that a pitcher is a complex 3D shape," says Sally Lindsay Honey, PTS's president. "We had to create 2D patterns that could be sewn together to make this 3D object, and we had to get it right."

Please note: The KoolAid project was developed for a particular customer. We do not sell the costumes.
The starting point for a
real evolution in costume design.
THREE CRITERIA

Actually, the costume had to meet three design criteria:

1. It had to be lightweight. The costume was going to be worn by people, and people get tired. So the lighter the better.

2. It had to be exactly the right shape. The KoolAid pitcher is a logo, in effect, and must not "morph."

3. It had to be cool. The high season for KoolAid is summer: brutal conditions for people wrapped in fabric and foam. Kraft Foods, the parent company, thought that having the KoolAid Man collapse from heat exhaustion would probably send the wrong message.

THREE CRITERIA

PTS collaborated with the costume's creator on an innovative design: a lightweight fabric shell "inflated" with a built-in electric fan to maintain the costume's shape and keep the wearer cool.

STAYING "IN SHAPE"

Starting with nothing more than a 14" clay model, PTS created the 2D patterns, then chose fabrics (red rip-stop nylon for the pitcher, clear vinyl for the rim and handle) to meet the weight specs. The patterns were correct and the costume looked great on paper, but the thin shell combined with constant air currents meant that the costume's shape was always being distorted.

The obvious answer, building a rigid internal skeleton, would work. But that would make the KoolAid man look like a small, optimistic zeppelin. PTS had a better idea. They identified the essential control points for the pitcher's shape, and sewed in a series of fabric "baffles" to create and maintain it. The result was a lightweight, cool costume with an unchanging shape, made entirely of textile.

BREAKTHROUGH

"The KoolAid man was a real breakthrough in costume design," says Honey. It also led to commissions for other inflatable characters, including all of the usual Christmas suspects. PTS was soon working on 12-foot-high candy canes, toy soldiers, drums, and elves. They built 100 "Jingle Bears" for the Stanford Shopping Center in Palo Alto, California, one of the most profitable shopping centers in the world. On the non-Christmas front, PTS took a couple of weeks to stitch a quartet of ten-foot Teenage Mutant Ninja Turtles.

The costumes were enjoyable projects in themselves, and have changed the lives of suffering costume-wearers everywhere for the better. More important, however, they are another example of how transcendental sewing skills can be used to create an amazing variety of stuff. This lesson has not been lost on commercial, industrial, medical, and aerospace/defense customers around the world.



Why stop with pitchers of KoolAid?
These elves are PTS creations, too.